EMILIE: LA MARQUISE DU CHÂTELET DEFENDS HER LIFE TONIGHT
By Lauren Gunderson
University of Massachusetts Theater
Amherst, MA
March 1, 2024 - March 9, 2024
By Lauren Gunderson
University of Massachusetts Theater
Amherst, MA
March 1, 2024 - March 9, 2024
Director: Iris Sowlat
Dramaturg: Nathaniel Akingbemi
Scenic Designer: Calypso Michelet
Lighting Designer: Taylor Jaskula
Costume Designer: Emily Irene Peck
Sound Designer: Amy Altadonna
Intimacy Director: Fig Lefevre
Dialect and Voice Coach: Elisa Gonzales
Production Stage Manager: John Klinger
Assistant Director: Elliott Robin Ball
Assistant Costume Designer: Megan Roderick
Assistant Lighting Designer: Zachary Graczyk
Assistant Sound Designers: Aaron Mancaniello, Marco White
Assistant Stage Managers: Cameron McDonough, Morgan Chouinard
Marco assisted the sound team by providing much of the dramaturgical research, discovering many of the Baroque compositions that were produced inside or outside of eighteenth-century France/Europe. This research created a guideline that would help better shape and craft the director's main artistic vision of the production. Marco found the following compositions that were used for the production:
Welcome to the world of eighteenth-century France.
"the scene with the father" is announced.
Used to establish both the blossoming beginning and inevitable downfall of Emilie and Voltaire's relationship.
Emilie sends Soubrette through the doors.
Emilie and Voltaire are having a causal conversation in an opera house.
There is a new world of opportunities and possibilities in the city of Cirey.
SONATA FOR TWO VIOLINS WITHOUT BASS IN E MINOR, OP. III, 5: II. GAVOTTA. ANDANTE. GRATIOSO - JEAN-MARIE LECLAIR
A disgusting, incestuous dance between Voltaire and his niece.
MUSIKALISCHES OPFER, OP. 6, BWV 1079: CANON 2 À 2 VIOLINI IN UNISONO - JOHANN SEBASTIAN BACH
A fast dancing moment between Soubrette and Voltaire.
LE BOURGEOIS GENTILHOMME: CHACONNE DES SCARAMOUCHES, FRIVELINS ET ARLEQUINS - JEAN-BAPTISE LULLY
A court tableau where we're introduced to Jean-Francois.
A slow dancing moment between Emilie and Jean-Francois.
Foreshadows the unfortunate death of Emilie after giving birth to her child.
Photos by Derek Fowles